Loraine Rutt is a ceramicist specialising in cartography. Her creations are globes and maps of all shapes and sizes made from clay. Loraine became an apprentice cartographer at the age of 16 and worked for eight years at London University, drawing maps for research papers and teaching aids. She gained an understanding of maps that set her up for the rest of her professional life. She then went on to study ceramics at Central Saint Martins and has been practising ceramics professionally since 1989 in her studio. Loraine makes pocket globes from the abundant resource that is clay. In her creations she draw attention to the impact that humans have on the planet. Each tiny globe is a tangible reminder of how we interact with Earth, in a form that suggests the familiarity of holding a pebble in one's hand.

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This blue porcelain globe with white raised relief is at a scale of 1:238 000 000. It is mounted at tthe centre of a circular black ceramic 'portal’. The black dish wall relief is inlaid with a white porcelain map of global communication satellites.

Portal: global communication satellite map

Portal: Global Communication Satellite Map

This is a pocket globe with scribed grid and coastlines, and raised relief painted with polychrome ceramic oxides. The scale is 1:170 000 000. The English Oak Pocket Case is a hinged pair of turned hemispheres, lined with a lacquered hand-painted celestial chart.

Land and sea globe and pocket case

Land and Sea Globe and Pocket Case

This is a hand-built deconstructed ceramic globe, which is a map in the form of Fuller’s Dymaxion projection. This shows Earth’s landmass as one island. The map detail is to scale, painted with polychrome oxides and inlay longitude and coastlines.

Fuller’s Earth

This is a ceramic roundel focused on the top 30° of the globe. Slip-cast in blue porcelain it has a white porcelain raised relief. The map is from a ‘Sprig’ mould modelled by hand to a horizontal scale of 1:26 000000, and vertical scale of 1:500 000.

Poles Apart: Arctic

This porcelain plate features a hand-drawn map inlaid with ceramic oxides into porcelain. It is a unique piece in the Land Hemisphere collection, measuring 35 cm in diameter.

 ©Loraine Rutt

Peace

The decorations painted by Natasha Mann are a delight to the eye: the mixture of geometric patterns with the use of natural pigments and 24 carat gold leaf are as complex as they are aesthetic. Committed to working with natural materials, Natasha uses the egg tempera technique to decorate wood, a method that dates back thousands of years. From boxes to ceilings, lamps to decorative pieces, her mastery of the traditional Moroccan decorative painting known originally as Zouaq allows her to work on different types of creations, always achieving the same beautiful effects. Her excellence was celebrated in 2018 when her work was selected for the Prince and Patron Exhibition to mark the 70th birthday of HRH the Prince of Wales at Buckingham Palace.

Mann, Natasha

A Moroccan wonder of decoration

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Wood wasn't Sally Burnett's first love. She initially trained in 3D design and specialised in creating hand blown glass vessels and large ceramic installations. In 2012, by chance, she tried working with wood. Three years after that, she opened her workshop in Newcastle-under-Lyme. 
“I draw inspiration from observing textures from the world around me, by exploring historical references and from the structure of architecture,”  she says. “This is a real eclectic mix, but absorbing these many references gives me purpose when I experiment with texture and surface.”

Burnett, Sally

Ethical, eclectic woodworking

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Georgy Metichian was born, raised and educated in an Armenian family in Tbilisi, Georgia. He specialised in wood technology at Tbilisi Art School before opening a workshop in his hometown to restore wood pieces and make his own. Already a rising star in furniture making and artistic wood carving in his home country, in 1994, after the collapse of the Soviet Union, he moved to London, hoping to exploit new opportunities to unlock his potential. Since then, he has worked for private clients on a range of bespoke commissions, mostly picture frames. His works can be seen in the National Gallery, the Imperial War Museum, Leighton House Museum, Ealing Cathedral, the Tower of London and Buckingham Palace. Georgy also teaches his craft at an art school in London.

Metichian, Georgy

Finding his calling

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Robert George, a classically trained arborist and a self-taught craftsman, opened his first studio in Northamptonshire in 2015. There, surrounded by an inspiring landscape, “after years of handling wood in its rawest and possibly most beautiful form”, he started creating his first object: a large oak dining table. Today he makes very large scale and complex objects on the lathe, creating fine walled vessels and pieces that challenge the aesthetic associated with wood. Particularly fond of woodturning, Robert is always “keen to push the limit of what you can express using this technique.” With his work he pushes the boundaries of what can be achieved with standard tools and felled trees.

George, Robert

The shape within

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Developed in partnership with Fondazione Cologni dei Mestieri d’Arte and made possible by the support of Cartier, Homo Faber in Città gives you a rare chance to visit over 70 artisan workshops. The project is developed in collaboration with Fondazione Giorgio Cini, Confartigianato Imprese Venezia, CNA Venezia, Consorzio Promovetro Murano, The Venice Glass Week and Venezia da Vivere.

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Step inside the workshops and ateliers to learn the secrets of local master artisans and manufacturers

Try your hand at different crafts with an authentic experience

Marvel at examples of fine craftsmanship by doing our itineraries

This september, the second edition of Homo Faber in Città invites visitors to step off the beaten track and discover the artisanal addresses where Venetian craftspeople create objects of exquisite beauty. A rare opportunity to witness Venice’s master artisans and young talents demonstrating their crafts and presenting the tools, materials and skills involved in contemporary Venetian craftsmanship.

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Homo Faber Guide is an online portal dedicated to contemporary craftsmanship, showcasing artisans, ateliers, museums, galleries, shops and experiences. Create your user account for access to exclusive features on Homo Faber Guide: save your preferred pages, hear about hot topics first, leave recommendations for your favourite artisans and much more.

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Although the Michelangelo Foundation researches the talents for its projects autonomously, collaboration with our ambassadors is fundamental. Over 120 associations, schools and institutions allow us to map the continents for craftsmanship and to have partners in each country who share our vision and goals. In addition, we have asked well-known personalities in the craft, design and art world to be our ambassadors in the cities where they live, so that their recommendations can offer a unique insight into craftsmanship in the major cities of Europe and beyond.

Who are our ambassadors?

Download our free Homo Faber Guide app (iOS and Android) to discover artisans, museums, galleries, shops, and experiences by location. Search Homo Faber on the App store on your mobile device.

Find craftsmanship destinations on the go

Discover the addresses of esteemed manufacturers, well known for producing high quality objects across a wide variety of crafts. Read their stories and find out where you can shop their contemporary pieces, see their archive collections and even in some cases visit their workshops. Find exceptional ateliers where artisans collaborate creatively to create fine pieces of craftsmanship. Reach out to them to commission something special.

Ateliers & Manufacturers

All the artisans and small workshops featured in Homo Faber Guide have been carefully researched and selected. They are presented and narrated through a selection of images and an interview, which allows readers to immerse themselves in the universe of these makers who exemplify excellence in their individual fields or are promising talents of the future. Find masters and rising stars who share the same passion and determination, and whose workshops are ready to share their secrets with visitors.

A selection of the best artisans

Are you eager to discover a city through craftsmanship? Do you wish to spend a few hours visiting an applied arts museum or attending a course on a craft with one of the masters featured in Homo Faber Guide? Browse the section dedicated to experiences and find your next adventure.

Experiences

An expert artisan is an accomplished artisan who has been in activity for more than ten years. He or she may also be engaged in passing on their knowledge to the next generations, but they have been doing so for less than seven years. Beyond this, they will become a Master artisan.

Who is an Expert artisan?

Homo Faber Guide provides you with a selection of the best addresses across Europe and further afield, where you will be able to discover and purchase exceptional objects, some of which are created by artisans featured in Homo Faber Guide.

Galleries

Homo Faber Guide is an online platform dedicated to craftsmanship that allows you to discover artisans and their masterpieces; explore museums, visit galleries and shops selling unique objects; enjoy experiences in cities across Europe and beyond.

Homo Faber Guide is a signature project developed by the Michelangelo Foundation for Creativity and Craftsmanship, an international non-profit organisation based in Geneva, Switzerland, which was set up in 2016 thanks to the intuition of Franco Cologni and Johann Rupert. The Michelangelo Foundation’s mission is to celebrate and preserve master craftsmanship, and for this reason it has created a map of the most significant representatives in this field, with the aim of connecting all its protagonists: artisans, designers, gallery owners, art curators, collectors and enthusiasts of high-quality handmade pieces.

About the Guide

Are you an artisan, atelier or manufacturer? Would you like to be featured in Homo Faber Guide? The Michelangelo Foundation encourages self-assessment initiatives and is pleased to evaluate new members to appear on the Guide or in other projects. Thanks to the Master’s Touch Evaluation Tool, every artisan can send their application: register and access a questionnaire to see if you fulfill the 11 criteria for excellence that stand behind all the activities of the Michelangelo Foundation. If your answers reach the minimum requirement, your application will be brought to our attention; if, on the contrary, you should score below the minimum requirement, we will give you some points for improvement, in the hope that you may participate in future initiatives of the Michelangelo Foundation.

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Our artisan labels

A master artisan is an accomplished artisan who has been in activity for more than ten years, and who has also been engaged in passing on his or her expertise to the younger generations for more than seven years. This is in keeping with one of the key values of the Michelangelo Foundation: the transmission of knowledge in craftsmanship.

Who is a Master artisan?

Find museums handpicked for their links to contemporary craftsmanship and the exquisite collections they have on display. In each city, discover a museum of interest and organise your visit. From Italian museums displaying coral collections, glass pieces and ceramics to decorative art museums in Russia and Greece, marvel at the variety of museums exhibiting masterpieces, showcasing techniques and recounting histories.

Museums

A rising star is an artisan who has been active for less than ten years, and who is capable of expressing his or her craft with competence, creativity and originality. Whether self-taught or trained, the rising star represents the future of craftsmanship, in creativity, concerns and approaches.

Who is a Rising star?

The artisans featured in Homo Faber Guide have been selected through a meticulous assessment process based on the 11 criteria for excellence, identified by Alberto Cavalli, Executive Director of the Michelangelo Foundation, in the volume The Master’s Touch, written with researchers Giuditta Comerci and Giovanna Marchello. The members of the Michelangelo Foundation’s network who have been invited to participate in sourcing artisans for the Guide use an evaluation tool based on these criteria. In this way, they can identify the most suitable artisans to include in the project.

Simple rules for a transparent selection

In which city does the artisan work?

In which country does the artisan practise?

What craft does the artisan practise?

What is the artisan’s Instagram page?

What is the name of the artisan you are recommending?

Does the artisan have a website?

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